There never seems to be a dull moment.  Our daughter is well after her close brush with death from a surgery. Another family member is quite ill.  This involves some traveling for us. Our families have had a few difficult experiences and all are resolved, thank YAH. I finally settled into a regular art/painting routine again.  I counted twelve pieces I was working on and most of those are nearing completion. I have looked at the shows for the year and know that I am not going to try to keep up with the schedule I had last year.  I want to do more commissions.  Even so, I have decided on certain shows that I will enter, mostly dependent on pieces I have finished that I think will be suitable. I am really excited about several of the works and in a while I will post some images.  I don’t want to spoil the surprise because several of these will be gifts after they have been entered in shows.  This is all I will write for this short blog.  Sorry, but I must paint!!!!!!!!!!

I allowed this grasialle to dry completely. Then I mixed a color that may look strange to most artists. It is a mixture of a flesh tone called a half paste. I apply it to the areas of skin, even in the hair where it will show. I use a very soft fan brush to buff it to a sheen. This gives me a surface to paint on over the wet layer of flesh. I use titanium white to very gently sculpt the face, following the patterns already established in the previous layers. This process always looks blotchy but it will even out as I apply numerous glazes of this flesh halfpaste.

The photo always goes to the top so this is the third photo. It shows the molded or sculpted form. Each time I put on another layer of half paste it is more transparent and it becomes more flesh like. Then I glaze with pinks and reds to make the skin tones luminescent and lifelike. You will see how it develops as I continue to work on this image.

Last summer when it was time to enter the Ligonier show I debated about what to enter. It had been a busy year for me and I had entered and gotten awards at almost every show I was in. This was the latest event for the year and I thought I would not have a piece to enter. Then I realised I could show this great portrait of my grandson. I don’t like to enter something if in my opinion it is not worthy. I think this one is one of my best and I realized I had not used it in this show so I entered, it was accepted, and the show has been hanging since November. The evening of the reception was really an exciting evening. The artists were regional, not just local so it was exciting to meet new artists who were of the highest caliber. Winning third prize was an honor among this talented group. Today Bruce drove to pick up since the show has ended. When he returned he smiled and handed me an envelope with an award for People’s Choice award! What an honor. It is especially gratifying to have the vote of the people. I feel blessed that so many have enjoyed Sammy in this painting I entitled “The Mountain Stream Hideout” Thank you all so very much. This ends a whirlwind season. I will try to compile a list of my shows and awards for 2017. Like I said, it was a whirlwind year, beginning with my solo show last March at the Latrobe Art Center.  I will enter some shows this year but I hope to spend more time painting.  Hope you are enjoying your art endeavors too. Shalom, Diana

Ok, this is an application of titanium white mixed half and half with clear gel, a transparentizer. I call this the layer of skin. After it is dry, I will model the tones until they look as good as I can get them. The object is not to even every thing out, but to make the transitions between light and dark as natural as possible, thereby creating a realistic looking three dimensional appearance.

As you can see, I have added a little more to the brights. I call them brights because there is light on all the image but in order to capture the likeness we must learn to see the patterns this brighter light makes. We will paint the over all light on the next pass which I may attempt now if the previous layer is dry enough. For now, just note carefully how the sun is shining across her left shoulder and how the three dimensionality of her body is defined by where the light hits.

This pass with brights is where an artist begins to mold the contours of a likeness. The artist must be able to follow the patterns of light and see ahead to what the other layers will do to influence the information as we lay it down. I know that I will need to brighten even more the areas of brightest light. If you are studying these blogs in order to learn portrait painting,I would say this layer could be studied repeatedly. I compare the previous layer to the skeleton and this one to muscle. We don’t want our painting to look flat like the canvas. We want it to utilize the light in order to create the illusion of space and form.

This may not look very good but I have spent two and a half hours simply refining the form. It is important to get all the information as correct as possible. The expression is the main point so that is my focus at the moment. This is the kind of image that people are attracted to so I want to do it well. My next pass will be brights. I just don’t know when I will get back to it.

When ever I insert a photo I can never get this type to load. I had the photo, now it is gone, sorry. I will do my best to get it on here after I type this message. I took this photo quite a few years back and for some reason, right when I have so many others in progress, she jumps out and screams, me first!!! This has happened before and always they always seem to turn out well so I can’t resist. Of course the title says it all. I intend to post every time I work but I must warn you not to expect too much too soon. As I said, I have a lot of things in progress besides teaching at the Community Art Center starting this Wednesday. I hope people enjoy this subject as much as I do and so I am eager to get started. Bruce has a meeting tonight so if my back isn’t hurting too much, I will transfer the image and get started on the modeling of form right away.  I love doing this work and wish I could keep at it for more hours. I do the best I can. I think I have not done so many at one time before. I am trying to find the most productive methods for myself. Let me think; two and three and two more and I just finished two, plus the others that are in the drawing or planning stage. I guess that is enough for now. There is a very special one I hope to have finished for shows this summer, a gift for a relative, and a portrait of my grand daughter that could be fantastic. I just remembered two more that I put back two years ago to work on Plimoth Wife, which I am hoping to sell soon. I am happier with my results and always strive for the best outcome. I will post again when ever I get this transferred to the linen canvas. After that, I can’t promise when will be the next post. Blessings, Diana (now I will try to get the photo back)

Our daughter had a surgery which did not go well.  It required a second surgery and other procedures to save her life.  Then there has been a slow recovery.  I am happy to tell you she is now doing well.  HalleluYah.

I have gotten back to my studio and it feels so good to be painting again.  Sharon asked me if I got bored doing so much art.  My answer was, “I sometimes feel upset to have to take time out to eat and sleep!”

I finished a portrait for my niece, am working on a surprise for another friend, completed a commissioned work, started a landscape and a small botanical, got the sketch ready for my grand daughter’s portrait (fabulous) and a sketch for upcoming class in Westmont, made a list of all things in progress, and got back to work on the double portrait with the girls and their beloved pet.  I’m sure I have forgotten something.

Well, that is all for now.  I want to get in at least two hours before dinner.  Hugs, Diana

Portrait painting is the art of constantly making corrections.  I tell my students not to be discouraged if they notice an error and are afraid to make these changes.  I try to help them realize that as portrait artists, they must constantly be on the look out for minute marks that are trying to veer away from the likeness or expression. We should be examining and adjusting the position and measurements of our features all the time. If we don’t do this, then in the end, when we take a new perspective, we will see a glaring problem and it may be too late!

You know, artists do a lot of thinking. We are always painting in our minds, planning the next painting.  During the time when I was learning, I realized there were certain methods I could not utilize.  There is something about my mind that won’t allow me to sort out information from a cluttered environment.  If there is a sale in the grocery store, I get frazzled just trying to figure out what I really want.  So when planning a painting, I knew I needed to provide as little confusion as possible.  I can make a very complicated sketch but in reality, I keep the procedure as uncomplicated as possible.

There are painting methods that begin with rough sketches and blocks of color. I have watched as an artist paints over and over until all this is unscrambled, becoming a beautiful realistic composition.  If I tried to do that I would be frazzled and exhausted before I got anywhere.  I knew I was looking for a better solution for me.

As I read a lot about different eras, different styles, different artists and methods, I was drawn to the methods of some of the old masters.  They at least started with a well planned, complete sketch and transferred that to the canvas.  I had been drawing portraits since I was a child.  Although they were simple line drawings and not extreme in detail, I believed I could use a good solid basic sketch to get the main information on a canvas.

Then I had to consider my health and physical pain.  I had to find a method that would allow me to start and stop in what ever time frame my daily condition allowed, knowing it would be different each time.  No matter what book I looked at, or what video I watched, the methods just did not fit my requirements.  I had to rely on a trial and error experiment.  I worked on the first few paintings and had no trouble getting from the toned canvas, to the sketch transfer and even the beginnings of the underpainting layers.  As I went along I learned that I could do just an arm or one layer of face or a little of background, coming back day by day to do another area.  I even learned to have several paintings in the works so I could always have something to work on when I had reached a stopping point on the first, maybe when the layer needed to dry before moving on. Over the years I would not allow myself to be satisfied with my process.  I keep looking for ways to improve it.

I always teach my students to not be rigid in their process.  If they need to solve a problem, give it some thought. And always check out other artists.  Even if their methods are completely different, there may be some little tip that will work with your process that will make your painting experience more successful. Shalom, Diana

I finished my busy show season and then the following Friday one of my daughters had surgery.  She was hospitalized about four days and sent home even though she had a slight fever and high white count.  A few days later she had a check up and these conditions were worse but her doctor told her it was just an expected result of the surgery.  She continued to worsen.  I will jump forward to tell you that twice in the last few days my daughter’s condition was life threatening. She had two more surgeries and the very best surgeon there is.  I am convinced that through the power of God, this man was moved to save her life.  She is now recovering and hopefully all will proceed to a healing and good outcome.

With all my art having been on hold, I am now getting back to a somewhat normal schedule. I am very pleased with the progress of the commissioned work I am doing. I am finishing a project for my niece and also teaching a class.  I usually do six sessions all together for beginners but with my group of continuing students, we decided to do two sessions a week, the second week of the month for an indefinite amount of weeks.  This should avoid most other calendar events and give us time for work at home in between the classes.  I love holding the sessions because the students are so hungry for the information.  They ask great questions and listen intently to my suggestions and instruction.

In the coming year I plan a few unique pieces so I am eager to get started.  Hugs to you all.  I will post photos when I can.  Shalom

Last evening was the opening reception for the Southwestern Pennsylvania Council for the Arts 22^nd Annual Regional Juried Art Exhibition. I wish all of you could have been there to experience with me the excellent art, the good food, and the joyful exuberance of the crowd. There was a celebratory atmosphere even before the awards were presented. It was voiced repeatedly how top notch the art entries were and how difficult it must be to make the selections. These entries were regional so many artists came from quite a distance. There were many artists whom I have never met before this event. The encouraging comments from one’s peers bring a measure of comfort, confidence and inspiration to any artist. It is like adrenalin for the artist’s motivation. I felt immersed in good will. It was an especially meaningful occasion since this year was a whirlwind of goal oriented competitions and events and I was hoping that this particular show would finalize the busy schedule with a final award. My hopes were fulfilled with a third place prize that is a high compliment considering the amazing competition. Being surrounded by friends and family made the accomplishment even sweeter. Afterward, we went to have dinner and fellowship with our family and friends and had the added bonus of joining other friends who chose the same place to gather. It is sometimes hard to express how much these moments mean as they fill in the pages of life. Thank you all for the memories.

I have added a photo that my daughter took at the show when the winners were together after the awards. I have three pick up dates to bring home my work from the  most recent venues and then I will already be into January. At this point last year I was working diligently on my solo show so this brings me full circle. This year I plan to do more commissions, fewer shows but I will not drop out of the show scene altogether. I hope to teach and also paint more. A few days ago, I tried to count all the works I have in progress. There are seven and a few more at the planning stage. I do so want to see these come to completion. I really want to paint a few more monumental and important pieces. I am extremely grateful for the opportunity and success I have had. I enjoy this vocation and want it to be taken to its most advanced level possible. Hallelu Yah and all praise to Him for blessing my ability and opportunity to do this. I will do as He leads and if that brings more art I will put forth my best efforts and be grateful. So glad to have you all here too. Shalom, Diana

This is just a little note to tell you what has been happening this past week.  First I went to a luncheon at Seton Hill University.  I met with a wonderful teacher named Maureen and her art class who had presented the Women in Art Exhibition.  There were three artists; a carver and maker of wonderful artistic and useful canes which she donates to veterans and other handicapped people, an interesting and inspired artist who paints scenes filled with emotion and meaning, and me, as the realist who uses art to tell stories and capture moments in time to share with the world. The students asked a variety of questions which centered mostly around the way the world perceives women in the art world and the effect that being a woman has on influencing what we produce. I love to take every opportunity to encourage young artists.  So thanks to all of you for being so hospitable and interested.

The following evening I attended the event of the year with my husband and best friend. The Greater Latrobe School District hosts this Gala every year to gather art from local venues and present it for the selection of one or more pieces to their noted collection. Last year I was blessed to have three pieces in the running and all three were chosen into the top five by the audience.  This year I had two and again, both were in the top five by the audience.  This is an honor and I am delighted to be part of this fine occasion and have the wonderful showcase for my work.  Both years the students chose a different top five and so, sadly, none of these works are included in this prestigious collection at this time. Congratulations to all whose works were in the GALA and those who were chosen by the students.  I saw first hand how the exposure to art and cultural events can help shape our future adults.  These kids need to be commended by all for their courtesy and manners and performances as hosts, dosents, and musicians.  I admire all involved.

The girl on the left is the one I told you about.  Her mom is on the right, our wonderful Venezuelan daughter.

It is a special honor to receive a first place award for Women in Art. I attended the reception yesterday afternoon and evening and was happy to explain a lot about my work to the students there.  It is good to know that many young art students have an appreciation for some degree of realism.  I found an interview on you tube with Nelson Shanks, one of the top portrait painters of our time.  His views on the subject are inspirational to me.  Look it up under his name and choose the video where he is sitting on a bench outdoors by a small lake. His out look is quite worthwhile.

I have two more events this year and then I hope to settle in to a long winter of serious painting.

The solo show at Latrobe Art Center in March started the year off with a busy schedule.  The entire month was so busy. We had an exciting reception and I have posted pictures of that event.  Then we did the luncheon with everyone so attentive and interested, asking lots of questions. Many friends came to see the show during the month and some came from as far as Las Vegas and Kentucky and other states far and near.  I often met them at the gallery to enjoy their company and give them a personal tour.  When that finished I started making decisions about what shows I could enter and what paintings I had available.    There are size requirements and also age of painting regulations, I have to spend a lot of time going over my limitations as far as travel times and overlapping  calendar dates.  The first show was Allied Artists in Johnstown, then Latrobe Art League Open Show and this Friday will be the Dressler Show in Somerset.  Each of these is a unique experience in a unique setting.  The people are so  nice and it is a joy to visit with them. After this I must get my entry in for the Mr. Rogers show and the SAMA show in Ligonier.  Hope to be accepted.  Then in August, actually beginning the last week in July, I will hopefully be teaching a class at the Bottleworks in Johnstown.  If any of you are interested, please look them up on line and make a reservation for your spot in the class.  The space is limited.  Shalom, Diana

My solo show ran the whole month of March. What a wonderful experience. After that got wrapped up and we got all the paintings home I then had a great visit with my out of state cousins. Once we said our good byes I got out my schedule for the upcoming shows and started to figure what I could get finished and which shows I might be able to enter. My artist contacts were asking me to arrange a class so I figured out a date where I could get in a full six classes and we had a totally fun and successful time. About the time I finished that series, a local art group asked me to teach there.  I had an amazing visit with their intern and met the new coordinator/ also set up a tentative schedule.  If you are interested in a six session portrait class, contact me at this site on my contact page.  The object of the six sessions is to teach the process so that as you practice and apply your ability you will be able to have the info that will help you paint a portrait of your loved one.  The next few months are getting quite full. I am glad it is finally summer and the fresh veggies are coming on. Our high school class will have a reunion, number 55, in September.   I will try to find time to put more on the blog but my mind has been too distracted lately to think of much of interest to put here.  Well, that is enough for now.  Shalom.

On Monday, May 22 we will begin a new portrait painting six week session. I have very limited space so please reach me by the contact info on this site if you want to join us. We will decide how to schedule around Memorial Day whenever we meet for the first class.

I don’t do a lot of posting on social media.  I figure this blog is the place where I can put my thoughts and notices about my art work.  I cannot expect my loved ones and friends to follow every bit of artsy stuff that I do.  I do it because I am called to it. I do not expect them to be called to it.  That being said, I know there are many who are seriously interested; in my opinion, in my artistic point of view, in my examples for reference, and so I put them here.  I don’t write often but I hope it is enough to satisfy those who are seeking the info.  I know I felt it was a futile attempt, when I was looking, and I still do search, for examples as stimulus, for new and better methods, for encouragement. I have come here today to tell you about this show experience.  Let me do that.

Gathering all my good examples together was a fairly big project.  There is more to doing this than one would expect.  First, I needed to know if I had enough reasonably good work to give people a pleasant experience as they viewed the material.  So, my first job was to take inventory.  I counted things about four or five times, each time coming to a different total because usually I remembered something else I had overlooked before.  I have outdated typed lists on my computer so I pulled one up and made a print out.  I went around making notes so that all my work would be there in one place. Each time I located or remembered another painting, I would insert it into the list with the year it was finished, the title and the price.  I reorganized my document in the word document on the computer so that each time I added, subtracted or moved an item, the list would self correct.  Even after Bruce and I worked to get this list complete, we would remember something else. I was amazed to find that I have painted over one hundred works with about half dozen not completed for a number of reasons.

I chose fifty five, I believe, to go to the show.  Bruce made four trips and then another trip to rewire a couple that the wire broke. There was no way to imagine how they would look when the formal arrangement was complete.  Let me just say that the staff at the Latrobe Art Center worked their magic and the room was enchanting, even for me looking at my own work. the night of the show finally arrived.  I had made every effort to not catch any of the miserable viruses going around but I could not stop the exhaustion that was creeping over me.  My defenses were down when I started receiving notices from ones who could not make it to the reception.  I did my best not to become discouraged but the weather had brought a snow storm on the heels of an early spring warm up.  That might stop people from coming out too.  Well, a good friend helped me voice my fears and bolstered my resolve and about that time my first attendee arrived.  After that, the evening was gone light a bolt of lightning.  I never had time to grab a snack.  Thank God my friend had provided a bottle of water or I would have never made it.  There was plenty of food that my friends and the gallery had provided. Our daughters were traveling long distances and three of them got caught in traffic from the same accident on the turnpike, but they got there at the end.  I will always be together in memory with those of you who came to the reception and who were able to visit during the month the show was hanging and also those who participated in the ‘ask the artist luncheon’ a week later.

Finally, the time arrived when we had to take every thing down and bring it back home again. I cleaned all the walls, wishing I had the reserve energy and motivation to repaint.  But the walls remain pale green.  We did rearrange the order and it looks nice.  We had to put some new nails in and find places to hang more.  I am sending some home to the girls.  And I have begun two new pieces.

Well, for now, I think I have covered the bases.  I will copy this blog and put it in my journal.

Again, my most sincere thanks to all who have shared this event of a life time with me. I want you to realize that without you as part of it, it would mean nothing.  Hugs and Shalom, Diana

I mentioned earlier that I would put some info about the show here when I had the chance.  I am taking a moment now to do that.  When I began painting in earnest, that is, more than one painting a year, I though it might be possible someday to have a solo show.  It was not something I counted on because I am not good at planning and executing a big event.  Gabi at the Latrobe Art Center ask me if I was interested and wanted to know if I had enough paintings to fill a wall or the whole room.  I had to make a count and was surprised at how many I had completed.  Last summer was too busy at the gallery but in November we set a date for March, hoping that winter would be past so that people would not have to brave snow storms to see the show.  NOT!  Winter held off until the night of the reception when she came storming in.  But we managed.  There was a wonderful turn out of friends and fellow artists, family and people I didn’t know.  I was so busy talking and greeting that the evening was over before I knew it.  The special event was the formal unveiling of my latest painting, Afternoon Mountain Stream Reverie, a portrait of Gabi’s godson, Jack.  I hope I have a better chance to speak with his mother and grandmother about the painting because the evening’s hustle and bustle did not afford me much opportunity to do so.  I will forever see the faces of those who came in and shared their excitement, kind words and joy of the artwork with me that evening.  It turned out to be a more significant evening than I had anticipated.  The following Thursday we did an ‘ask the artist’ luncheon so that I could answer the many questions people ask about my painting process.  The turn out for this event was great. Also the interest and enthusiasm for knowledge about portraiture kept the afternoon rolling along.  I was not nervous because this was not quite as social as the previous week and I have no problems talking about a subject I love, especially in an informal setting.  Also, I must say that Rosita’s food on the buffet was the most delicious I have ever eaten.  Perfecto!  Many want me to do a class again so I will have to see how my health goes after recovering from this!  I plan to slowly change from doing mainly juried exhibitions, to doing more commissions and more teaching.  I love it all.  I am so blessed to have been given this wonderful opportunity.  I hope I can continue for a long time to come.  Hugs and thanks to all.  Diana

I love these people. They make things feel happy and work smoothly. The photo on the right has a painting in the background that I finished in time for a surprise unveiling at the reception. It is Gabi’s godson. In front are his mom, grandmother and uncle if I have that all correct. If you look at my Facebook page you can read all the beautiful tributes they wrote about their beloved Jack.

MJ   Well, first I could not get the photo to post, then it showed up twice. This is Gabi Nastuck who is the director of the Latrobe Art Center. I will try to post two other photos I found.

DIANA WILLIAMS SOLO PORTRAIT EXHIBITION AT THE LATROBE ART CENTER – TO ALL MY FACEBOOK FRIENDS AND FAMILY, AN UPDATE
Last night I was up till two visiting with family after the show and then at three AM the phone rang with some stupid robo call so I am exhausted. I may not even be coherent enough to write this update and thank you especially since I just wrote it once and accidentally erased it.
No one could have ever prepared me for the overwhelming response to the art and the reception last evening. The Latrobe Art Center and all its people went above and beyond to assure that this event would be received well. Gabrielle Nastuck, the director, has coached me through all the preparations and assured me all along the way. When I arrived, one special person even calmed my anxiety over the imagined dread that no one would attend. You know who you are, so thank you so much. And yes, they came! From Washington DC to Ohio and other far away places, all my friends and family, high school class mates, fellow artists and writers groups, my buddies from NAAA, church friends and people from my small town, people I know well and those who I don’t know, children adults and everyone in between,they began to arrive and after that, I never had a minute to be nervous! I want you to know that it will be a joy to recall each and every one of you who came to share this once in a lifetime special event with me.
For all my grandkids an other fabulous models, for all of you who drove so far or just around the corner, for all who added a treat to the food table, for Seth and Joe and Janet and Rosemary who did so many things,for those who came to observe and offered kind compliments, for those who got me a drink of water and those who made me laugh, for those who organized or help clean up and any one else who helped make this evening special, I give you my most sincere thanks.
To all my dear friends and loved ones who could not come, to my cousins Bunny Leavitt and April Ashcom Meredith from far away Florida who could not be here I send thanks for all your sincere well wishes and congratulations. I will share photos on my blog in a day or two. I am sure I will also have the chance to tell you about this blessing. And to my precious family who blessed me by being part of this, hugs and all my love. And to Bruce, who started all this by encouraging me to do oil painting rather than only the pencil sketches AND who was so sweet to order the wonderful surprise of the beautiful, huge bouquet of flowers and did the framing and delivery of these fifty five paintings, you are my love forever, thank you.

Bruce and I have been making trips to the art center to deliver paintings for the show. The house seems empty and the gallery full. It will be interesting to see how things look when the fifty five paintings are hung. I hope they are received well and people enjoy the show. It is hard to keep excitement/anxiety under control. This has been a big job and an important milestone. Thanks to the Latrobe Art Center for hosting this event and thanks to all my friends and family and all who support this effort of art. I will update this blog about everything when we have finished. Again, may you enjoy the art!