Blog

Restart

Here is a portrait that has been sitting in my studio for quite a few years.  At the time I was working on it, I thought I was making pretty good progress but now that I have begun again, I am surprised at how much my process has changed. When returning to a painting, I do not oil out.  Instead I mix a transparent blend of the flesh tone I use as a base and a lot of Grumbacher Gel.  Layers of this make a skin tone glaze that builds up the depth and gives me a surface to work on.  I then take white or in this case, Naples Yellow Light to sculpt the brightest features and begin the formation of the skin layer.  This is how the three dimensionality is created. I have shown some of the earlier process in other paintings that I have placed here for demonstration, so I am sorry I don’t have that in this case.  I will use some of the same techniques as I proceed. I am working on three or four other subjects so there may be some space between my posts on this one.  I hope to get back to a more productive schedule.  Asking for your patience, Diana.

Standard
Blog

Depression and worse

I just want to tell you that our family has been blessed to have learned about a treatment for my grandchild that is the first new development in the treatment of mental health disorders in years. My granddaughter had a miraculous response to the first of the six treatments. There is no way I can express the changes. Those of us who have experienced this painful journey also know that until now, we have been offered no real hope.  I just want to encourage you to do your research. Look for a clinic that has good experience and good results treating with psycedelic drugs.  There are a number of these drugs that are promising.  My search began with Johns Hopkins testing with psilocybin but the drug in our case was ketamine. We learned that it does not medicate but instead actually repairs the area of the brain that has shut down. It gets the neurons and dendrites functioning.  Find a qualified doctor. If your insurance doesn’t cover it, save your money.  It was worth it in our situation.  I hope you find it beneficial for you or your loved one.

 

Standard
Blog

Hi, Friends

It has been a busy time here in PA. Bruce is recovering from surgery and he is not back one hundred percent. I am doing better with the circulation in my legs by wearing the compression stockings. I am having some trouble formatting this page. Sometimes it is a complete mystery to me. Today, the words and images are giant size. I will not say much just in case this is all transferring to you in this strange format. Anyway, I have been working on three or four paintings that are in progress and I have found everything to be causing me trouble. I don’t usually have creative block but there is a lot of stress right now. It seems to be interfering with my work. My sixteen year old granddaughter has been dealing with anorexia and now she is suicidal. Of course her family is trying to get the best help for her but this is not an easy task. It sometimes feels as though a nightmare has taken over all of life. Even in dark times we continue to have faith. I hope to be making progress in my work soon and then I will post more regularly. I wanted to host another class but things are just too stressful at the moment. I have posted a photo of my orchid blossoms that continue to cheer me in the white haze of our first real snowfall. I hope to make more connection with you with my art as soon as things calm down. But it looks as though this show season will not be as active as some previous years. Also, I noticed, that I have had some recent viewers in China. My prayers are with you as you struggle against this mighty attacker virus. I pray for the plague to be stopped and the affected ones to recover and also that you will have the supplies you need to survive. For now, shalom.image

Standard
Blog

A new day

I will add an image later.  Right now I would like to catch up a little bit.  My husband Bruce has had some health issues which involved blood clots in both lungs.  This led to the discovery that his thyroid was quite enlarged. His doctors have been watching this for a long amount of time. It was decided that a complete removal of the thyroid would be the best treatment but the timing of that was adjusted because of his need to stay on blood thinners until the clots were safely under control. Finally, his surgery was done in Pittsburgh with only a quick hick up when his blood pressure dropped for an unexplained reason. The nurse called a code which means that every doctor and nurse available was at his bedside instantly. They administered a bag of IV fluids and did an EKG but all seemed normal.  There have been a few other challenges this fall but everything is calming down.  All this stuff has interrupted my normal painting schedule but I hope I can get back into a routine.  A lot of my artist friends have asked for a class to review the portrait techniques.  I am considering that but if I do  it, I will have to get it set up quickly.  I have so much less energy and more trouble breathing.  It is not like asthma, it is just that my heart doesn’t have the energy to push oxygen and talk too.  I think I may try anyway.  Soon I will send an inquiry about how many want a class. I am working on a number of paintings, even thought the progress has been slow.  I seem to be improving some of my skills so that I move through some of the steps a little easier so that is good for me.  I have so much I would like to do. Well, thanks for being patient through this slow period in my blog.  I will get on my ipad and post a photo of my self portrait.  It is very instructive to do a self portrait because you know your own image so well, if you make a mistake, it is obvious. Then again, we may not see ourselves as others do.  By the way, please check out the web sites of artists you know of, they have such good information that can give us ideas and help our development.  Try Cesar Santos and Andrew Tischler.  I will get that photo up in a little while.  Diana

Standard
Blog

Something a little different

I always wanted to paint these beautiful thistle blossoms. The humming bird moth, a type of hawk moth, showed up to help add interest. A good friend with Scottish heritage was expecting a first child so I determined this painting would be my gift for the baby. I am glad they were pleased with it. Before gifting it to my friend, I had it professionally photographed in order to have Giclee prints made. I have them available for others of Scottish background or even if they just like the painting or thistle flowers.  It was a detailed and tedious painting. I used a specific mathematical formula called a root rectangle to lay out the arrangement. Hope you enjoy493FBF66-9814-4BD5-9A94-756254772230

Standard
Blog

Deciding what’s next

This can be complicated, even at this late stage. I will list some examples of things still needing addressed.

Maisie’s fur may need brightened but I will wait until other surfaces are complete. The flesh on the subject will be modified with several layers to give life and depth to it. I may add some details to the shirt. My granddaughter’s hair will be painted on top of the shirt. And the dog’s tongue will be finished with a brighter pink. This adds up to  several days more work. Keep tuning in to see the final stages of this portrait. I hope you have gained in experience and technique. Dianaimage

Standard
Blog, Uncategorized

Continuing work on Caiti and her Maizie pup

There is still a lot of work to be done on this. For those who are using this blog as a study for portrait painting, notice that the flesh tone of the face has been brightened to a higher value and a richer pink color. But, the finished flesh must have more of a rich tan and even more pinks in areas. These two effects can work together and not cancel each other out as long as the effect is done transparently!
Then, I must complete the hair, the shirt and also emphasize the deep darks in the recesses of folds and other depths to enhance the three dimensional look. Today, I want to work on the dog.
Standard
Blog

Award for 87th annual Allied Artist’s exhibition at the Pasquerilla Center at UPJ in Johnstown

Sometimes I am overwhelmed at the response to my paintings. When people voice their love and appreciation of them, it makes me want to do better. That may sound silly, but I love this gift so much and it gives me so much joy that I just want to only show my best work.
This painting of my granddaughter, which had been hanging in my studio un signed for a year, had not developed well so I painted another layer on it and totally repainted the hair. Finally, it seemed acceptable to display. I have already started a better one.
Standard
Blog

Now the life awakens

I put two and a half hours in just this layer today. I always feel like I never have enough hours but I am thankful for every moment I spend in the studio. Can you see the vibrancy coming into this now? There will be several more layers before I feel it looks right. I am eager to begin work on the little Ewok. I first wanted to be sure this is a good likeness of my grand daughter before I move on. I think I will be satisfied. I hope she approves.
Standard
Blog

Just a little work

Our visitors are in Ohio with my daughter so I got in a little work. Here you see I add some flesh tone.
I modify the color with white and Naples yellow light, being sure to sculpt the features as I move along the surface
Don’t worry if it still looks blotchy and unnatural. This will all improve with each layer.
Keep in mind, my posts will be sporadic while our loved ones are visiting and also during some medical procedures. Even this post is rushed, sorry.
Standard
Blog

A forty year wait

There will be some time between posts for a while, please forgive the delay. Just use the time to practice the steps so far demonstrated. I am expecting a very dear visitor whom I have not seen in a lifetime. An event in her life caused her to loose all her contacts and we could never find her in all that time. She is coming with her adult daughter and I am not sure how much time she will be able to spend with us. I have been racing to get some work ready and entered in shows. I have not had the drive to work passionately since my sister in law’s illness and death and again last week a monumental Friend died. I am deeply grieved.

Even so, I am working many hours a day trying to get these works ready in time. First, I will show you the latest work on my grand daughter’ painting.

Even though I have done some detail on eyes, there are still many layers of flesh to perfect the skin tone and correct the likeness. Now I am going to show you a portrait of her that she hates. I will give you more info.
I tell my students, if it doesn’t look right, it is just not finished yet. This is a good example. I have repainted and over layered so many times. But nothing helped my dear Grand daughter like this. I even changed the hair so that it went from medium to long ringlets down in front of her shirt. It hung on my studio wall for over a year and finally I repainted another layer. Still that didn’t help so I was ready to call it a failure. I just couldn’t do that. I said to myself, it just isn’t finished yet! I began a process of repairing by removing the hair over her shirt. I have no idea if I can fix it but I am going to give it my best try.
well, keep in mind, I won’t be checking in for up to a month and then Bruce will have another surgery, which could be quite serious. Don’t give up on me. I will get back as soon as I can. Shalom.
Standard
Blog

A note fyi

Actually, this is a note to myself as well. Here is an image of Sam which I have done totally with a sketch I made with a graph. I knew it Should be almost exact but something didn’t seem right. I used a piece of tracing paper to double check the image. I positioned the tracing image and used a flesh colored paint to transfer the second image over the first. As you can see, if you look closely, the only thing off is the bottom of the ears and the bottom left side of face. I took another photo after touching up the under layer. Now, with just those minute tweaks, this likeness should be good.
Standard
Blog

Today’s layer

Each layer adds dimension, likeness and depth of color. The artist must understand that the build up of these transparent layers is what creates supple and alive looking flesh. We must learn how to build slowly. Instead of thinking of it as having patience, I am thankful I do not have to perfect the portrait the first pass. Often a subject has blues and greens and yellows in their skin or reflected off the skin surface. It takes skill and experience to know when and how to use these colors. Here, my granddaughter presents her lovely ivory and blush tones. There is some hint of yellow in the forehead but not much. When today’s pass is dry, I will take a small amount of the flesh tone, I will add a touch of quinacradone magenta and an equal portion of gel with maybe a drop of linseed oil. These will be mixed well with a pallet knife and spread in an even layer over the flesh. Now, I use a soft fan or mop brush to buff this surface to a sheen. Next, I touch my soft sable brush to the yellow ochre and gently apply a little where I think it should be. Now I use my white to redo the brights. This picks up the other colors and draws them over the flesh in minute amounts. You will begin to see your flesh colors coming to the hue you are looking for. It is better to build slowly to these rich tones than to be startled by a heavy application of color that will never look natural.
Standard
Blog

A second thought for today.

Yes, I have a method, so, you would think this process would follow along the routine steps and I would never get lost. WRONG! Perhaps I just forget something, or maybe I decide to skip a step, or maybe something just doesn’t seem right. I have messed up so badly at times that my only option is to call the mess I have an under painting and drop back to square one. Then again, maybe I don’t know why something isn’t right. What I want you to think about and understand is that you must trust your ability. And, I believe in a higher power and I ask YAH to intervene. This gets me on the right track and I come to understand what move to make next. Believe me, if your flesh tone looks blotchy, do another layer and then another. Each time you paint this face, you get to know it better. What you may not realize is that your brain is learning how to paint suppleness into the skin. You don’t need a teacher except to help the process move along more quickly. What your brain needs is failure and experience. This is how we were meant to learn. Get the point I am making here, please. Your brain is gaining mastery as you try to figure this out. How else could I have learned. I looked and I tried and failed and began to recognize my own improvement. Don’t give up. I am grateful I kept trying.

Standard
Blog

Refuse to become frustrated.

When working with portraits, it often happens that something doesn’t work the way we want it to. I could name a million examples but let’s just take an obvious one. My students call certain things I say, ‘Dianaisms’. For instance I say, ‘If you get the line of the mouth correct, you capture the likeness.’ Well, that line of the mouth is an illusive feature. If the artist gets this a shade wrong in size, shape or color, it can ruin everything. Artists, no matter what mark you put on canvas, be prepared to adjust it. Study these features thoroughly, not just once, but over and over again. If you cannot make it right while the paint is wet, then let it dry. This way, if you are not happy with the results, wipe them away and try again. Trust your vision, that of your eyes and your heart. Do your best to please your sitter but remember that the artist creates. We are not cameras. We are attempting to show others the beauty that we see. One of the great portrait masters was eventually tired of criticism from his clients. He stated that he would rather paint dogs!
Standard
Blog

Beginning the flesh layers

I paint portraits in a different way. I don’t use color strings. I mix a flesh tone in a medium range but it actually looks sort of like the color of a Teracota pot, then I dilute it with Grumbacher Gel to make it transparent. Apply it thinly but evenly over a section of flesh and then sculpt with white to achieve the brights as you did in the first part. This layer always looks blotchy so don’t worry about it being perfect. Every layer will improve the surface and the skin will look supple and alive. Try to improve the likeness with each pass. Keep in mind that light and it’s effects will be the best addition to a good portrait. Without the light, you cannot see the shape or color or expression.
Now that the likeness is more established, I will begin to add darks to bring out some of the details such as wrinkles in fabric, deep bends in body, for instance elbow and fingers, and I will plot all the darks of the hair and the pup’s fur.
Take notice that I have not painted in the eye lashes with thick dark paint. Later when the portrait is almost complete, I will use a transparent dark for the lashes. I always recommend using a transparent dark even for very dark lashes. It just helps make them seem more natural.
People often ask how soon till the portrait is finished? It would take a very long time to list all the work that must still be completed. No one gets it. A puzzle can only be put together one piece at a time and a portrait is sort of like that. Today, I can only put in the next piece or two. How can I ever let you peek into my artistic mind and let you see what must still happen. If I sew a dress, I can show you the pattern, the fabric and explain the steps of putting it together. It is similar with a house or a piece of furniture. But how can a sculptor tell you how to find a body inside the stone? I might be able to tell you the basic steps to a portrait but never explain the finesse necessary to make it a masterpiece!
Standard
Blog

Perfecting the image

I learned a long time ago to spend a lot of time studying the drawing in the early stages of the painting because the adjustments and corrections are easier to make here than later. See if you can tell that the left eye as we look at it, in the earlier images,is too small. I had to study carefully to deterrmine how much change was necessary. It is also very important to get the smile correct as well, in order to capture the likeness. Now these features are the way they should be. For these changes I worked on the dry grisaille underpainting and I also switched from the neutral gray color to the flesh tone. Later there will be several layers of flesh and glazes of pinks or appropriate colors for the person’s skin tones.
Standard
Blog

Painting other areas

Be sure to scroll down to see the beginning of today’s work.
When you come to a place where you cannot do more on an area, often you can go to another area of the painting if it won’t cause difficulty with the work you have just completed. Take notice of the background color in the area of the pup’s ears. The background color must be behind all those separated strands of fur but I certainly don’t want to paint between each strand. If I choose to do this background before the final layer of fur is painted, I can paint right over everything. Then, later, when I apply the last top coat, it will look more three dimensional and the fur will look real! Also observe carefully that I have done more adjustments on the features and skin texture. I tell my students, ‘portrait painting is the art of constantly making corrections.’
When I come back to this in a few days, I will probably add the first layer on the eyes, some color on the clothes, the darks on the hair and the fur and then I will start adding the many layers of flesh tone. A painting this size is often priced beginning at $25,000. Is it any wonder?
Standard
Blog

Beginning again, so it seems.

Yes, once again I use full strength white to enhance the features and brights. Each time I put a layer over another, I make small corrections. It is posssible to do these layers wet but more often it is best to let the current layer dry completely before adding the next one.
Standard
Blog

Look carefully, don’t overlook the small stuff.

Look at the previous photo from yesterday. On this photo, the flesh has been covered again with the halfpaste mixture, half titanium or flake white and half Grumbacher gel. This obscures the features we hilighted yesterday but, when we buff it well with a soft but firm fan brush, the features appear again, only now they have a layer of skin. These steps are important to achieving a deep and supple skin tone and texture.

Look

Standard
Blog

Tiny refinements

I have worked at least two hours making minute adjustments to the value of skin tone, brights and darks, and to areas that define likeness. I will do this over and over again until I am satisfied that the likeness is good.
Standard
Blog

Half paste and brights

Never begin this step if the layer before it is not totally dry!!!
Here is where the likeness, the spirit and the mood are begun to be captured. This is an important and exciting stage of portrait painting. You must be able to see light patterns and shadow patterns as well. The more refined your ability to paint these patterns, the more precise your work will be. I do not seek to achieve photo realism but I do see beauty in and appreciate realism.
Standard
Blog

First the darks, then the brights.

Here is a close up of the transfer of sketch to canvas that I did yesterday. You can see places where I first marked a shadow with only a scribble, just enough to indicate where a structure of the face is. I then used a small sable brush to move that scribble until it becomes a smudge which now looks more like a structural shape than a scribble. It is alright to dip into the same neutral paint in order to refine what you are putting on the canvas. Just be sure to understand that these marks are going to end up under other layers of paint. They will act like a skeleton to form the features which describe a specific person. Today, I could darken some other features so they don’t get obscured by the next layers but I think I will have enough control if I leave them the way they are right now and instead I will work on the brights. When I teach, I like to have students pull out the brightest brights first. Since I am demonstrating my work and actually not following the beginner process, I will start with a half paste and then do the brights. Hopefully, I will get an image which shows the process well. You need to know that I do not use most of the usual mediums. I use Grumbacher Gel, a transparentizer. I will mix flake white (or Titanium) together half and half to make a half paste. Today I want this more transparent so I will use more gel. Now I use a medium sized brush to cover all the flesh area. When this is finished, I buff it to a smooth and glossy surface with a good, soft but firm, fan brush.
Standard
Blog

Transferring the sketch

Here you see a piece of tracing paper that also shows the application of the same color paint as previously used to coat the canvas. Remember, the canvas is now a little lighter because it was wiped down to a medium value. I apply the paint with the pallet knife in the same manner but now I use a soft brush to spread it. If too much paint is left on this tracing paper there will be smudges and spots of paint all over the sketch. It takes a little practice to get it right. In the next photo you will see how I place this paint side down and trace the image onto the canvas.
Standard
Blog

The sketch

Graphing a sketch

If you have drawn a small sketch and want the painting to be larger, or if you have a small photo and want to make a larger sketch to paint, then you should learn how to do a graph or grid for this purpose. You can find videos and explanations of how to do this on the internet. I will tell you the basics. Always start by finding the center. Find the middle from the long and short sides and draw a straight line both ways on the photo or sketch. Where they cross will be the center. Precisely measure one inch from these lines and add more lines in a checkerboard fashion, being sure to always double check the measurements. Now decide how big you want your final painting to be and make the distance between the lines increase by the correct amount. For instance, if your sketch is 8×10 and you want your painting to be 16×20, then the distance from one line to the other will be two inches instead of the one inch you started with. You can see that I also connect the diagonals too.

Now look at your original photo or sketch. Starting with any feature, draw on the larger graph a mark in a square or triangle that exactly matches the smaller one, just remember to make it the increased size. If you are careful to follow the pattern and not confuse the placement of your marks, then you proportions and likeness should be good.

Standard
Blog

Wiping down the under coat.

I used paper towels to wipe the paint until it is fairly even and the degree of value, light or dark, that I choose. As you do more, you will learn what you like best and also you will become familiar with the results each value and color will produce as you proceed through the portrait.
next we will use the same paint mixture, burnt umber and French ultramarine blue, to transfer the sketch. In my next blog I will talk about the sketch, a little about how I use a grid to achieve correct drawing, and about the transfer process. Keep in mind, all the colors and methods can be modified. I don’t give you rules, only helpful suggestions.
Standard