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Covid Block

Well, I have heard of Writer’s block and Artist’s Block but this is different.  Usually nothing interrupts my creative motion. Actually for me and my husband, this quarantine didn’t change much of our routine.   So here we are, with nothing but time on our hands. Even so, I find myself sitting at my easel not motivated to put any mark down.  I am feeling like nothing I want to paint is good enough.  So I find an area of the painting that isn’t too important and I do that for a couple of hours. Maybe the back ground or maybe an arm or a piece of clothing.  The next day, the same thing happens.  Of course, I am also having my schedule messed up by other people’s difficulties and I feel driven to make a lot of phone calls to encourage loved ones or help one of my kids with something. It just seems like months are going by without much accomplishment.  Even worse, when I look at the work I have finished, I am just not happy with it. This is not normal. Now, I am getting irate.  I am angry at the bad choices made by people in power and I am frustrated about my constitutional rights being trampled.  Not only that but I am horrified at what is going on with people of all races. We have lost our dignity and we have no trace of morals in the actions and events taking place.  It is good that every once in a while we learn of someone who has acted with human kindness and decency. Not only is violence and pestilence hurting people, now we are suffering depression too.  I am encouraged by those who are beginning to say NO to all this, standing up for reason and calmness in such a bad situation. I am also appalled by how far back we have fallen in our society.  Have we actually chosen lawlessness? I must put my faith in Yah, And I must count on the prevailing goodness of the majority.  

As things begin to open up, art events are again being planned.  I have made choices of pieces to show and Bruce and I have picked out framing material. Of course, I should have expected another wrench to be thrown into the works.  Here I am, working away on a portrait that I am not happy with, trying to get it finished in time for one of these shows and I get this impulse to start an impossible task!! There is an image of a huge rocky vista in Argentina where my daughter and her friend visited just before we learned about this virus.  My daughter and her friend are in the forefront, both looking amazing with this monumental landscape behind them.  I have TWO WEEKS, JUST TWO WEEKS, till the show entry date.  I cannot resist.  I go into marathon painting mode and my husband volunteers to cook supper every night for those two weeks.  I have always taken months to complete paintings.  But, yes, I got this done.  And entered. I will show you an image but the photos are on my ipad so I will have to put them up on another blog entry. Well, let me check to see if there is an image in my photo gallery on my computer.Img_7627

This is 42 inches across. I hope people enjoy it.  It is entitled, ‘Argentina- Our Amazing Journey. It is not only about the journey to a new country, but about the amazing journey of these girls friendship.  It could be a movie.  Hugs and love to all my artist and art admirers friends. Shalom, Diana

 

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A new reality

Painting Sunshine

This may not look much different but if you look closely, you will see small changes.  I put in some fly away hairs, toned down the white teeth, highlighted the eyes and put in a signature.  I just sent the image off to Latrobe Art Center to be entered into their open show.  It will be a virtual show this year, thanks to the virus. A new reality, yes, but I will not concede to a new normal.  Nothing about this is normal.  I try to paint every day, but weeks keep flowing by and I barely have time to touch brush to canvas.  I really feel like I am loosing my opportunity to paint but so many other options keep popping up.  I have had trouble concentrating even when I am in front of my work. I have concerns about 5G and how it is affecting people.  All I can do is keep on trying.  I put aside some of my larger works so that I might have better results on a smaller, less complicated subject. I am about to finish a small classic image of a Phalenopsis Orchid. It posed so nicely and never moved. I got good lighting too.  The only challenge was trying to paint all the color I see in the white.  Well, for now, keep painting.  I will get back to you soon.  Shalom

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Details and final adjustments

0C0BF40B-4EB2-4102-B54A-D86B1E9443BEA hundred years from now no one will ever understand how difficult it has been for me to paint these glasses with the tremors in my hand. 😄 I must say, this is an exciting and lively subject to work on. It is sunny and cheerful and I may post it on line to offer something to brighten the day. We must nourish our spirit and live in positive ways. Shalom, Diana

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Only the glasses

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Today I enjoyed bible study with my granddaughter and her aunt by face time. Then I sat on my porch in the nearly 80* weather to enjoy the birds and the flowers. I prayed a lot. Here we are blessed for the time being because this is a very small rural town. Even the grocery store four miles up the road is well stalked and people are not panicked. Even so, the majority are concerned about the unknowns and the risk of infection as time goes on. The fact that we know almost all in our area causes this quarantine to take its tole. We want to visit and hug and go to churches or movies. We must consider the risk to others and so we comply with the seclusion. Things are not much different for me because in order to paint, I ordered my life in a secluded way. I’m used to it. Others are not. So I pray for us all,,,and paint. This is what I did today. After this is well dried I will apply a thin, transparent layer of flesh and then glaze with vivid red reflective light and highlight with very bright and yellow highlights. I will then refine those glasses and also the ribbon. Then I believe this will be finished. When I began this five years ago, I began two. Yes, two. I wanted one for each of the girls. I would have continued working on both but this spring I needed to be working on a cheerful work and do it in a way that brought success and accomplishment daily. So I only worked on one so as not to become more stressed. Eventually, I will go back to the other one. So thankful. Shalom, Diana

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Refining the flesh

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This process takes layers and layers. If I applied the exact flesh tones in tiny strokes like some methods call for, it would create a different effect. My flesh tones are known for their suppleness, depth and realistic appearance. This is how I achieve it. I will probably do at least two more layers on this. The sister on the right with the braid is wearing glasses. I have only hinted at the frames for now. I want to be careful not to make the frames too bold. This pose expresses personality and mood. It is what we look for when choosing a photo for a painting. The sunshine, shadows and graduation gown add interest.

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An end in sight

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I was not expecting to make any progress but I picked up my brush and began. I want the skin tones to dry thoroughly before I apply another transparent layer of flesh. So, I touched up eyebrows, did a few minor adjustments here and there and then decided to lay out some colors for the hair. I used raw umber for darkening hair in deep shadow. I used yellow ocher, gel and some Naples yellow light mixed with burnt sienna and raw umber to add some rich mid tones and blond sunlight. Then I used burnt sienna and Naples yellow light to lay in the sun lit hair of the brunette. Her hair is very dark brown but I love the way the bright sunshine brings out the red tones in her hair. Now I am going to do a little cleaning and organizing in my studio while I feel well enough to do it. May we all be safe and well. Prayers for all who are ill. Diana

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A day to paint

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The entire world is on a new schedule so I have no reason to complain. We all are hopefully doing our small part to support each other and keep everyone safe. My husband and I are staying home except for groceries. I also spend time with my adult grand daughter with the observation of social distance and all precautions. With all other friends, the choice is standing firm to avoid contact but we call and face time often.
Bruce had surgery last week so we have been sidetrack with our usual routine even without considering the virus. So I was happy today to work on this painting. I would like to finish it successfully so that I can get back to the other three or four I have started. My granddaughter’s difficulties had my attention for a long while and I don’t feel extremely happy about these works. When I get back to them, I hope to have a renewed optimism and energy to get them back on track. I will post on this one as I make progress on it. Blessings to you all as you adjust to our new and hopefully temporary reality. Shalom, Diana

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WARNING

ALLRIGHT FRIENDS, I DONT LIKE TO SPREAD FEAR BUT I JUST GOT WORD FROM LOVED ONES IN ITALY. THIS IS MUCH WORSE THAN WE CAN IMAGINE. DO NOT LEAVE YOUR HOME UNLESS ABSOLUTELY NECESSARY. TAKE MORE PRECAUTIONS THAN YOU THINK YOU NEED. I CANNOT TELL YOU HOW VERY SERIOUS THIS IS. TWO WEEKS AGO THEY WERE NOT WORRIED, NOW THEY CALLED TO WARN US.

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New layers and our new reality

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It seems to be true that even though a picture is worth a thousand words, even so, a photo just does not do justice for representing an oil painting. This painting is coming alive but when I see this photo, it looses vibrancy and spirit. Well, it is my best effort to show you how this is coming along.
the work is slow going because of the medical issues and now even social distancing! I had a sweet visit with my granddaughter outside on the front porch in cold, rainy weather in order to guard against any possible introduction of corona virus. She got here from Ohio last night where she works at a huge public place with hundreds of different people daily. She is not ill, nor are we, but Pappy is supposed to have surgery to repair a hernia on Friday and we are trying to avoid carrying anything to a hospital Environment. I don’t think all this is necessary but we are trying to do our part to protect everyone until we know for sure what is happening. It isn’t good for humans to distance in these ways but we may be faced with a situation that is beyond anything our generation has seen before. Stay well, be safe, remain calm, and may God bless us all. HalleluYah!

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A little more today

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I think I will title this ‘Painting Sunshine’. Even though it is not very apparent, I actually did quite a lot on this today. I repaired and refined a lot of the features, I started laying in the hair patterns too.  The daughter on the right has hair that shines red in the sunlight and the one on the left shines blond.  I really love the hair patterns and the shadow patterns on the faces. I darkened the background but I will get some deeper color in this.  I have always loved this image of my two youngest and I have duplicates being painted at the same time.  I switched to this painting because the ones I have been working on are difficult and they have been getting me down.  This one makes me really feel good.  Hope it continues to turn out well.

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Restart

Here is a portrait that has been sitting in my studio for quite a few years.  At the time I was working on it, I thought I was making pretty good progress but now that I have begun again, I am surprised at how much my process has changed. When returning to a painting, I do not oil out.  Instead I mix a transparent blend of the flesh tone I use as a base and a lot of Grumbacher Gel.  Layers of this make a skin tone glaze that builds up the depth and gives me a surface to work on.  I then take white or in this case, Naples Yellow Light to sculpt the brightest features and begin the formation of the skin layer.  This is how the three dimensionality is created. I have shown some of the earlier process in other paintings that I have placed here for demonstration, so I am sorry I don’t have that in this case.  I will use some of the same techniques as I proceed. I am working on three or four other subjects so there may be some space between my posts on this one.  I hope to get back to a more productive schedule.  Asking for your patience, Diana.

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Depression and worse

I just want to tell you that our family has been blessed to have learned about a treatment for my grandchild that is the first new development in the treatment of mental health disorders in years. My granddaughter had a miraculous response to the first of the six treatments. There is no way I can express the changes. Those of us who have experienced this painful journey also know that until now, we have been offered no real hope.  I just want to encourage you to do your research. Look for a clinic that has good experience and good results treating with psycedelic drugs.  There are a number of these drugs that are promising.  My search began with Johns Hopkins testing with psilocybin but the drug in our case was ketamine. We learned that it does not medicate but instead actually repairs the area of the brain that has shut down. It gets the neurons and dendrites functioning.  Find a qualified doctor. If your insurance doesn’t cover it, save your money.  It was worth it in our situation.  I hope you find it beneficial for you or your loved one.

 

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Hi, Friends

It has been a busy time here in PA. Bruce is recovering from surgery and he is not back one hundred percent. I am doing better with the circulation in my legs by wearing the compression stockings. I am having some trouble formatting this page. Sometimes it is a complete mystery to me. Today, the words and images are giant size. I will not say much just in case this is all transferring to you in this strange format. Anyway, I have been working on three or four paintings that are in progress and I have found everything to be causing me trouble. I don’t usually have creative block but there is a lot of stress right now. It seems to be interfering with my work. My sixteen year old granddaughter has been dealing with anorexia and now she is suicidal. Of course her family is trying to get the best help for her but this is not an easy task. It sometimes feels as though a nightmare has taken over all of life. Even in dark times we continue to have faith. I hope to be making progress in my work soon and then I will post more regularly. I wanted to host another class but things are just too stressful at the moment. I have posted a photo of my orchid blossoms that continue to cheer me in the white haze of our first real snowfall. I hope to make more connection with you with my art as soon as things calm down. But it looks as though this show season will not be as active as some previous years. Also, I noticed, that I have had some recent viewers in China. My prayers are with you as you struggle against this mighty attacker virus. I pray for the plague to be stopped and the affected ones to recover and also that you will have the supplies you need to survive. For now, shalom.image

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A new day

I will add an image later.  Right now I would like to catch up a little bit.  My husband Bruce has had some health issues which involved blood clots in both lungs.  This led to the discovery that his thyroid was quite enlarged. His doctors have been watching this for a long amount of time. It was decided that a complete removal of the thyroid would be the best treatment but the timing of that was adjusted because of his need to stay on blood thinners until the clots were safely under control. Finally, his surgery was done in Pittsburgh with only a quick hick up when his blood pressure dropped for an unexplained reason. The nurse called a code which means that every doctor and nurse available was at his bedside instantly. They administered a bag of IV fluids and did an EKG but all seemed normal.  There have been a few other challenges this fall but everything is calming down.  All this stuff has interrupted my normal painting schedule but I hope I can get back into a routine.  A lot of my artist friends have asked for a class to review the portrait techniques.  I am considering that but if I do  it, I will have to get it set up quickly.  I have so much less energy and more trouble breathing.  It is not like asthma, it is just that my heart doesn’t have the energy to push oxygen and talk too.  I think I may try anyway.  Soon I will send an inquiry about how many want a class. I am working on a number of paintings, even thought the progress has been slow.  I seem to be improving some of my skills so that I move through some of the steps a little easier so that is good for me.  I have so much I would like to do. Well, thanks for being patient through this slow period in my blog.  I will get on my ipad and post a photo of my self portrait.  It is very instructive to do a self portrait because you know your own image so well, if you make a mistake, it is obvious. Then again, we may not see ourselves as others do.  By the way, please check out the web sites of artists you know of, they have such good information that can give us ideas and help our development.  Try Cesar Santos and Andrew Tischler.  I will get that photo up in a little while.  Diana

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Something a little different

I always wanted to paint these beautiful thistle blossoms. The humming bird moth, a type of hawk moth, showed up to help add interest. A good friend with Scottish heritage was expecting a first child so I determined this painting would be my gift for the baby. I am glad they were pleased with it. Before gifting it to my friend, I had it professionally photographed in order to have Giclee prints made. I have them available for others of Scottish background or even if they just like the painting or thistle flowers.  It was a detailed and tedious painting. I used a specific mathematical formula called a root rectangle to lay out the arrangement. Hope you enjoy493FBF66-9814-4BD5-9A94-756254772230

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Deciding what’s next

This can be complicated, even at this late stage. I will list some examples of things still needing addressed.

Maisie’s fur may need brightened but I will wait until other surfaces are complete. The flesh on the subject will be modified with several layers to give life and depth to it. I may add some details to the shirt. My granddaughter’s hair will be painted on top of the shirt. And the dog’s tongue will be finished with a brighter pink. This adds up to  several days more work. Keep tuning in to see the final stages of this portrait. I hope you have gained in experience and technique. Dianaimage

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Continuing work on Caiti and her Maizie pup

There is still a lot of work to be done on this. For those who are using this blog as a study for portrait painting, notice that the flesh tone of the face has been brightened to a higher value and a richer pink color. But, the finished flesh must have more of a rich tan and even more pinks in areas. These two effects can work together and not cancel each other out as long as the effect is done transparently!
Then, I must complete the hair, the shirt and also emphasize the deep darks in the recesses of folds and other depths to enhance the three dimensional look. Today, I want to work on the dog.
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Award for 87th annual Allied Artist’s exhibition at the Pasquerilla Center at UPJ in Johnstown

Sometimes I am overwhelmed at the response to my paintings. When people voice their love and appreciation of them, it makes me want to do better. That may sound silly, but I love this gift so much and it gives me so much joy that I just want to only show my best work.
This painting of my granddaughter, which had been hanging in my studio un signed for a year, had not developed well so I painted another layer on it and totally repainted the hair. Finally, it seemed acceptable to display. I have already started a better one.
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Now the life awakens

I put two and a half hours in just this layer today. I always feel like I never have enough hours but I am thankful for every moment I spend in the studio. Can you see the vibrancy coming into this now? There will be several more layers before I feel it looks right. I am eager to begin work on the little Ewok. I first wanted to be sure this is a good likeness of my grand daughter before I move on. I think I will be satisfied. I hope she approves.
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Just a little work

Our visitors are in Ohio with my daughter so I got in a little work. Here you see I add some flesh tone.
I modify the color with white and Naples yellow light, being sure to sculpt the features as I move along the surface
Don’t worry if it still looks blotchy and unnatural. This will all improve with each layer.
Keep in mind, my posts will be sporadic while our loved ones are visiting and also during some medical procedures. Even this post is rushed, sorry.
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A forty year wait

There will be some time between posts for a while, please forgive the delay. Just use the time to practice the steps so far demonstrated. I am expecting a very dear visitor whom I have not seen in a lifetime. An event in her life caused her to loose all her contacts and we could never find her in all that time. She is coming with her adult daughter and I am not sure how much time she will be able to spend with us. I have been racing to get some work ready and entered in shows. I have not had the drive to work passionately since my sister in law’s illness and death and again last week a monumental Friend died. I am deeply grieved.

Even so, I am working many hours a day trying to get these works ready in time. First, I will show you the latest work on my grand daughter’ painting.

Even though I have done some detail on eyes, there are still many layers of flesh to perfect the skin tone and correct the likeness. Now I am going to show you a portrait of her that she hates. I will give you more info.
I tell my students, if it doesn’t look right, it is just not finished yet. This is a good example. I have repainted and over layered so many times. But nothing helped my dear Grand daughter like this. I even changed the hair so that it went from medium to long ringlets down in front of her shirt. It hung on my studio wall for over a year and finally I repainted another layer. Still that didn’t help so I was ready to call it a failure. I just couldn’t do that. I said to myself, it just isn’t finished yet! I began a process of repairing by removing the hair over her shirt. I have no idea if I can fix it but I am going to give it my best try.
well, keep in mind, I won’t be checking in for up to a month and then Bruce will have another surgery, which could be quite serious. Don’t give up on me. I will get back as soon as I can. Shalom.
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A note fyi

Actually, this is a note to myself as well. Here is an image of Sam which I have done totally with a sketch I made with a graph. I knew it Should be almost exact but something didn’t seem right. I used a piece of tracing paper to double check the image. I positioned the tracing image and used a flesh colored paint to transfer the second image over the first. As you can see, if you look closely, the only thing off is the bottom of the ears and the bottom left side of face. I took another photo after touching up the under layer. Now, with just those minute tweaks, this likeness should be good.
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Today’s layer

Each layer adds dimension, likeness and depth of color. The artist must understand that the build up of these transparent layers is what creates supple and alive looking flesh. We must learn how to build slowly. Instead of thinking of it as having patience, I am thankful I do not have to perfect the portrait the first pass. Often a subject has blues and greens and yellows in their skin or reflected off the skin surface. It takes skill and experience to know when and how to use these colors. Here, my granddaughter presents her lovely ivory and blush tones. There is some hint of yellow in the forehead but not much. When today’s pass is dry, I will take a small amount of the flesh tone, I will add a touch of quinacradone magenta and an equal portion of gel with maybe a drop of linseed oil. These will be mixed well with a pallet knife and spread in an even layer over the flesh. Now, I use a soft fan or mop brush to buff this surface to a sheen. Next, I touch my soft sable brush to the yellow ochre and gently apply a little where I think it should be. Now I use my white to redo the brights. This picks up the other colors and draws them over the flesh in minute amounts. You will begin to see your flesh colors coming to the hue you are looking for. It is better to build slowly to these rich tones than to be startled by a heavy application of color that will never look natural.
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A second thought for today.

Yes, I have a method, so, you would think this process would follow along the routine steps and I would never get lost. WRONG! Perhaps I just forget something, or maybe I decide to skip a step, or maybe something just doesn’t seem right. I have messed up so badly at times that my only option is to call the mess I have an under painting and drop back to square one. Then again, maybe I don’t know why something isn’t right. What I want you to think about and understand is that you must trust your ability. And, I believe in a higher power and I ask YAH to intervene. This gets me on the right track and I come to understand what move to make next. Believe me, if your flesh tone looks blotchy, do another layer and then another. Each time you paint this face, you get to know it better. What you may not realize is that your brain is learning how to paint suppleness into the skin. You don’t need a teacher except to help the process move along more quickly. What your brain needs is failure and experience. This is how we were meant to learn. Get the point I am making here, please. Your brain is gaining mastery as you try to figure this out. How else could I have learned. I looked and I tried and failed and began to recognize my own improvement. Don’t give up. I am grateful I kept trying.

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Refuse to become frustrated.

When working with portraits, it often happens that something doesn’t work the way we want it to. I could name a million examples but let’s just take an obvious one. My students call certain things I say, ‘Dianaisms’. For instance I say, ‘If you get the line of the mouth correct, you capture the likeness.’ Well, that line of the mouth is an illusive feature. If the artist gets this a shade wrong in size, shape or color, it can ruin everything. Artists, no matter what mark you put on canvas, be prepared to adjust it. Study these features thoroughly, not just once, but over and over again. If you cannot make it right while the paint is wet, then let it dry. This way, if you are not happy with the results, wipe them away and try again. Trust your vision, that of your eyes and your heart. Do your best to please your sitter but remember that the artist creates. We are not cameras. We are attempting to show others the beauty that we see. One of the great portrait masters was eventually tired of criticism from his clients. He stated that he would rather paint dogs!
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Beginning the flesh layers

I paint portraits in a different way. I don’t use color strings. I mix a flesh tone in a medium range but it actually looks sort of like the color of a Teracota pot, then I dilute it with Grumbacher Gel to make it transparent. Apply it thinly but evenly over a section of flesh and then sculpt with white to achieve the brights as you did in the first part. This layer always looks blotchy so don’t worry about it being perfect. Every layer will improve the surface and the skin will look supple and alive. Try to improve the likeness with each pass. Keep in mind that light and it’s effects will be the best addition to a good portrait. Without the light, you cannot see the shape or color or expression.
Now that the likeness is more established, I will begin to add darks to bring out some of the details such as wrinkles in fabric, deep bends in body, for instance elbow and fingers, and I will plot all the darks of the hair and the pup’s fur.
Take notice that I have not painted in the eye lashes with thick dark paint. Later when the portrait is almost complete, I will use a transparent dark for the lashes. I always recommend using a transparent dark even for very dark lashes. It just helps make them seem more natural.
People often ask how soon till the portrait is finished? It would take a very long time to list all the work that must still be completed. No one gets it. A puzzle can only be put together one piece at a time and a portrait is sort of like that. Today, I can only put in the next piece or two. How can I ever let you peek into my artistic mind and let you see what must still happen. If I sew a dress, I can show you the pattern, the fabric and explain the steps of putting it together. It is similar with a house or a piece of furniture. But how can a sculptor tell you how to find a body inside the stone? I might be able to tell you the basic steps to a portrait but never explain the finesse necessary to make it a masterpiece!
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Perfecting the image

I learned a long time ago to spend a lot of time studying the drawing in the early stages of the painting because the adjustments and corrections are easier to make here than later. See if you can tell that the left eye as we look at it, in the earlier images,is too small. I had to study carefully to deterrmine how much change was necessary. It is also very important to get the smile correct as well, in order to capture the likeness. Now these features are the way they should be. For these changes I worked on the dry grisaille underpainting and I also switched from the neutral gray color to the flesh tone. Later there will be several layers of flesh and glazes of pinks or appropriate colors for the person’s skin tones.
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Painting other areas

Be sure to scroll down to see the beginning of today’s work.
When you come to a place where you cannot do more on an area, often you can go to another area of the painting if it won’t cause difficulty with the work you have just completed. Take notice of the background color in the area of the pup’s ears. The background color must be behind all those separated strands of fur but I certainly don’t want to paint between each strand. If I choose to do this background before the final layer of fur is painted, I can paint right over everything. Then, later, when I apply the last top coat, it will look more three dimensional and the fur will look real! Also observe carefully that I have done more adjustments on the features and skin texture. I tell my students, ‘portrait painting is the art of constantly making corrections.’
When I come back to this in a few days, I will probably add the first layer on the eyes, some color on the clothes, the darks on the hair and the fur and then I will start adding the many layers of flesh tone. A painting this size is often priced beginning at $25,000. Is it any wonder?
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