Actually I refined my methods to fit into my possibilities that are always modified by pain, appointments and the number of pieces I am working on at one time. This image is, of course, showing flesh tone, applied and then carefully smoothed into the weave of the canvas where needed. Some artists apply a lot more paint, which I do toward the end. I find that my flesh tones look more supple and lifelike if I keep them thin as much as possible. At the moment I have a pending commission, this subject with the three figures, a portrait class, a still life and two unfinished paintings that I sat aside several years ago. For now, have a great day painting. Diana